“The thing about a cannibal, they are not supernatural, like vampires or werewolves they are people. With “Raw,” Ducournau’s goal was to put audiences in the shoes of someone they would consider a monster, asking them to identify with a character they might otherwise dismiss as inhuman. While there, “I realized there was a very logical continuity for me between writing and directing it’s part of the same gesture.”īoth her Cannes-selected student short, “Junior,” and an early made-for-TV chiller called “Mange” (co-directed with Virgile Bramly) reflect a body-oriented obsession that reaches its apotheosis in “Raw.” “My parents are doctors, so I’m very used to some things other people find upsetting,” she says. 2 3 La película cuenta la historia de una joven vegetariana que se convierte en caníbal. 1 Se proyectó en la Semaine de la Critique del Festival de Cannes de 2016, donde ganó el Premio FIPRESCI. Lucky for Ducournau, her radical sensibility was encouraged at France’s La Fémis film school, where she enrolled as a screenwriting student. Grave (película) Grave (titulada Voraz en Hispanoamérica y Crudo en España) es una película franco-belga escrita y dirigida por Julia Ducournau. She attended film school at La Fémis in Paris, where she studied screenwriting. Title: RAW, Director: Julia Ducournau, Studio: Focus World, Release Date: March 10, 2017.
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For me, an auteur is just someone who has a very strong personal vision, and who knows how to communicate it,” she says.Įven more challenging is finding support for “crossover” movies, as she refers to hybrids that blend humor, horror, and emotional elements. Julia Ducournau is a French film director and screenwriter. Julia Ducournau: Garance has been playing Justine from my first short, Junior.Actually, in Junior, Raw, and Titane, you can find Justine, Alexia, and Adrien.And it’s not because I don’t have. “I don’t think auteur and genre should be separate. French filmmaker Julia Ducournau says her latest film is 'autobiographical.' By Kristen Yoonsoo Kim What makes Raw such an unsettling film to watch is its basic premise: It's about a girl. Such projects are a rarity in France - a country whose critics put foreign genre directors on a pedestal, and yet whose state funding system prefers to greenlight more “personal” projects.
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The film ignited strong reactions at Cannes, where it premiered in Critics’ Week, and was so upsetting to some in Toronto that there were reports of audience members passing out at midnight screenings. Ducournau’s lurid, vivid film is visually striking, full of images that will shock you while others will lull you with a hypnotic beauty. A rarity among French directors, Ducournau challenges the local industry with a debut that blends extreme horror with other genres. Ducournau takes that combination to another level in a witty, uncomfortable scene that follows.Ducournau’s debut feature, “ Raw,” is a shocker: Set in an oppressive veterinary school where a young vegetarian develops a taste for live flesh, the film is an escalating succession of stomach-churning twists, each one more creatively depraved than the last - from licking someone’s eyeball at a college party to the now-infamous finger scene. Extreme notions of masculinity are visualised when the male firefighters dance to Gabba music, lit like a pop video, aggressive but homoerotic. He’s also oozing OTT macho energy, injecting what presumably is steroids while quietly crumbling when no one is looking.
Lindon is terrific in this role, welling up convincingly as he struggles to deal with loss while attempting to pretend it never happened.
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There’s a touching story of grief and denial as Vincent deludes himself about his long-lost son. Julia Ducournau en Internet Movie Database (en inglés) Esta obra contiene una traducción derivada de « Julia Ducournau » de Wikipedia en inglés, publicada por sus editores bajo la Licencia de documentación libre de GNU y la Licencia Creative Commons Atribución-CompartirIgual 3.0 Unported. But behind its high-octane exterior there are fascinating themes that Ducournau begins to explore. With a pulsating soundtrack and a visual aesthetic that alternates between strip club and abattoir, Titane also is a shock-driven genre film that has plenty of violent, squirm-inducing moments. Prepare yourself for quite the gender reveal. She finds shelter in a fire station with a chief, Vincent ( Vincent Lindon), who has lost his son. Alexia has a sexual encounter with/in a vehicle that brings extraordinary consequences, then ends up on the run posing as a man. Laura is a lawyer, shes beautiful and has a nice boyfriend. With Jennifer Decker, Elodie Frenck, Michaël Abiteboul, Julien Boisselier. America On Pedro Costa's Cannes Title 'The Daughters Of Fire' Plots Hong Sangsoo's 'In Water' Double BillĮither way, unwanted attention leads to gruesome ends, but that is just the beginning. Mange: Directed by Virgile Bramly, Julia Ducournau.
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